Diego F. Goberna

Planet 51

Matte Painting Senior, at Ilion Studios
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I designed the initial department pipeline, and worked on some matte paintings.

3dsMax, Nuke and Photoshop

Official Trailer

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Snowflake

Film promotional Poster, for Filmax
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"Copito de Nieve" in spanish, is a film in production to be released in 2010, about the mythical white gorilla. Filmax asked me to do a promotional poster to promote the film among distributors and clients. So this is a very very early preview of the film. In fact, I doubt that anything but the title will remain the same in the film.

Click on the image to enlarge. Original size is 8300 x 11811.

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Holy Night!

Matte Painting supervisor & Color Studies, at Dygra Films
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For the matte painting department, I designed the pipeline and created MEL scripts (fast switching of cameras, automatic domes, and a UI for Camera Mapping process).
For the art department, I worked on prop color studies and lighting keys for several secuences.
Photoshop and Maya.
NOTE: The film is not released yet, so only this image (from a teaser trailer) is shown.

Click on the image to enlarge. The image was used for the beggining of two christmas commercials. You can see one here.

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Spot Malaria

Happy End Pictures, Gray, Spanish Red Cross
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TV spot of the Spanish Red Cross about malaria's consecuences in Africa. Done in Softimage XSI with J. Mansilla in 7 days, which was a madness.

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Maldito Bastardo!

Visual Effects and Matte Paintings, Datura Films
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This is a low-budget B movie by joung but promising director Javi Camino, from Santiago (Spain). My work was to do all the vfx and matte paintings needed, with a very low budget and resources. After Effects was the tool of choice.

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Donkey Xote

Shading Artist, Lighting Lead and Matte Painter, at Bren Entertainment
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I worked for 2 years in this movie. I started as texture and shading artist, working on main characters, props and sets.

After that my role as Lighting Lead -although more a TD than a lead- was to develop the main toolbar for the lighting department, other automation scripts, and solving other issues.

Then I worked as a Matte Painter until the end of the production, mainly dealing with 360º 20,000 px wide mattes for whole secuences, creating lots of camera mappings for grounds and landscapes, and helping with technical aspects of matte painting.

Softimage XSI and Photoshop

Character textures

Props textures & shading

Matte Paintings

These are mainly 360º matte paintings, covering dozens of camera shots. For speeding up the process, only were painted those areas with more coverage or importance from the camera view, while the rest remained simpler.

Camera mappings

Art director wanted crispy and richful detail in grounds and vegetation, but modeling and shading was not enough to satisfy this requirement. The solution was to use camera projections, repainting all terrains, and grouping the shots by the camera view in order to try to reuse projections and mattes. I was responsible of all this work, doing about the 75% of all these camera mappings.

Here is a small video of some shots from the film:

...and more!

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